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Our 1966 VOX UL730 had developed a gated, spluttery fuzz after a component drifted out of spec over decades. Instead of correcting it, we decided to preserve it.
The Bias control lets you move from the underbiased character of our own UL730 to the original 1966 fuzz response, and take it even further.
The underbiased character of our own 1966 UL730, with notes that decay quickly into silence.
The original UL730 fuzz as it sounded in 1966. More gain and sustain, with that unmistakable fuzzy character. Ideal for riffs.
Beyond the original circuit's intended range. Dense, compressed fuzz for high-gain solos and more experimental textures.

At the heart of the original VOX UL fuzz circuit were Philips OA200 diodes.
We found a small batch of New Old Stock OA200s. The same type used in the original UL series. So we could keep a key part of The Mocker true to the amp that inspired it.
The first 200 Mockers sold out in four days, taking our original supply of OA200s with them. You asked for more, so we tracked down another batch near Manchester and got on a plane to bring them home.
βNot just another fuzz pedal. This magic box is way more versatile than you'd think. From gated and spluttery to smooth and compressed, this fuzz is always musical and so inspiring.β
βItβs almost surprising how many good tones you can get from the tone and bias knobs β and not just Beatles sounds. It can create almost violin tones, but it can also be very aggressive.β
βGives you authentic tones you canβt get anywhere else.β